The field of criticism claims objective standards that remove the emotional response of the critic from its evaluation.
"The question seemed personal, and the answers contingent - upon my mood, upon the individual artist and the specific work." What made these questions public, she says, was the 2016 presidential campaign, when, despite the revelations about his abysmal behavior toward women, Donald Trump was elected.ĭederer seems surprised at the number of women who stepped forward with their own stories of being sexual assaulted, but also admits that the " had been there all along. For a long time, Dederer admits that any uneasiness she felt while watching "Manhattan" or "Chinatown" was a private issue.
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